I saw Tom Adams' Elephant and Castle, which is a joint venture with his wife Lillian Henley, recently (review here and ticket link for future performances/ information is below) and I thought it was brilliant. It was a fascinating piece which raised questions I didn't know I had and had me Santa-style laughing more than once.... Continue Reading →
'West Yorkshire Playhouse's Autumn/ Winter 17 Season is a vibrant collection of diverse stories from across the world, retold by exceptional theatre makers.' -WYP It's official: West Yorkshire Playhouse has a very exciting Autumn/winter season planned... I went along to their launch event yesterday to listen to some of the creators of the line-up, and... Continue Reading →
National Theatre Live, from The Harold Pinter Theatre. 18th May 2017. ⭐️⭐️⭐️⭐️⭐️ Imelda Staunton's performance in Who's Afraid of Virginia Woolf? is a thing of brilliance. This the kind of production which makes you wonder why we stop at five stars... As Martha, Staunton is fierce, fiery and a force to be reckoned with in... Continue Reading →
Saturday 13th May, 2017 at The Duke of York's Theatre, London. ⭐️⭐️⭐️⭐️ Our Ladies of Perpetual Succour, Lee Hall's adaptation of Alan Warner's novel The Sopranos, is a raging success - and that success lands almost entirely at the feet of the fantastic cast. Yes, the writing is good, and it tickles the ribs with... Continue Reading →
Saturday 25th March, 2017 at Brasserie Zedel (The Crazy Coqs) ⭐️⭐️⭐️⭐️⭐️ Blazing onto the scene with a rendition of 'Miss Otis Regrets' before weaving her way through an impressively diverse set list, Rachel Tucker proves herself, once again, to be an incredibly versatile songstress. Aside from that undeniably superb voice and brilliantly judicious song selections,... Continue Reading →
Wednesday 15th March, 2017, at Harrogate Theatre. ⭐️⭐️⭐️⭐️⭐️ Narvik, written by Lizzie Nunnery and performed by Box of Tricks Theatre Company, is cleverly framed around a seemingly dying man who has fallen while alone in his house, aged ninety, and he is unable to get up. If he isn't found, he'll likely die. While he... Continue Reading →
Saturday 11th March, 2017 at Leeds Carriageworks Theatre (Upstairs). ⭐️⭐️ The Butcher is marketed as a 'fantastical 4 star folk tale' from the talented Paul Mosley: part gig, part ghost story and part puppet show. The tagline teases "Is it a gig? Is it a ghost story? Is it a puppet show? Yes." Now, I'm... Continue Reading →
Grand Opera House, York. Saturday 18th February 2017. ⭐️⭐️⭐️1/2 There’s no denying that this production of The Commitments, directed by Caroline Jay Ranger, has that classic feel-good factor. Complete with high-octane musical numbers and some incredible voices, it's certainly a glorious feast for the ears and features classics like ‘I Heard it Through the Grapevine’,... Continue Reading →
Newcastle City Hall, Wednesday 15th February, 2017. ⭐️⭐️⭐️⭐️⭐️ I don't think I've ever laughed so constantly at a show as I did last night when seeing Not Today Satan. With a Bianca Del Rio show, it's a skilful display of killer delivery, arresting aesthetic and more feigned, biting bitterness than a narcissist in therapy... The... Continue Reading →
Thursday 2nd February, 2017, at Harrogate Theatre. ⭐️⭐️⭐️⭐️ I loosely liken this production from Blackeyed Theatre to watching the metamorphosis of a butterfly - it's very apt for this analogy to have come to mind of course; Frankenstein does follow the tale of a man slowly but persistently learning how to create a unique creature.There's... Continue Reading →
Always Time For Theatre 