Tuesday 13th August 2019 at the Tristan Bates Theatre. ⭐️⭐️⭐️ Ross Dinwiddy’s The Geminus is a cleanly selective new work based on Joseph Conrad’s story of a ship captain who harbours a fugitive. In Dinwiddy’s story, the captain and an enigmatic sailor clambouring aboard his ship in the dead of night form a connection born... Continue Reading →
Review: All the Little Lights at Tristan Bates Theatre
Tuesday 13th August 2019 at the Tristan Bates Theatre. ⭐️⭐️⭐️⭐️⭐️ Three girls meet to celebrate a birthday. What begins as a recognisable silent feud of one friend feeling replaced by another quickly begins to prove itself a much darker and more complex story. There’s a history here to unpack and a future to consider carefully.... Continue Reading →
Review: The Net at Tristan Bates Theatre
Tuesday 13th August 2019 at the Tristan Bates Theatre. ⭐️⭐️⭐️ Zöe Guzy-Sprague’s The Net takes women from behind the scenes of war and conflict and places them centre stage. It explores a breadth of ideas within the realms of conflict, relationships and the idea of home in relation to territory and it’s a narrative which... Continue Reading →
Review: Improdyssey at the Etcetera Theatre, London
Sunday 11th August 2019 at the Etcetera Theatre, Camden. ⭐️⭐️⭐️ At every performance of Improdyssey, the audience dictate (to an extent) the action they see. Restrictions apply as the company specifies that the tale must be set in the medieval period with the healthy option of fantastical content - from there, the show sets sail... Continue Reading →
Review: White Nurse at the Lion and Unicorn Theatre
Sunday 11th August 2019 at the Lion and Unicorn Theatre. ⭐️⭐️⭐️ Abby Coppard’s White Nurse looks at the familiar territory of toxic relationships and considers the implications of an individual trying to extricate herself from one dependent relationship by experimenting with another. Joe is a classic controlling manipulator. Layla is the classic manipulated woman trapped... Continue Reading →
Review: The Silent Boy at Camden People’s Theatre
Sunday 11th August 2019 at the Camden People’s Theatre. ⭐️⭐️⭐️⭐️⭐️ As debuts go, 14 Karot Theatre Company’s is a corker. With The Silent Boy, this company offer up a glowing display of fun-filled physical storytelling against a poignant backdrop. It’s a production full of hilarity and delightful whimsy beautifully crafted by an energised cast gifted... Continue Reading →
Review: Ugly at the Hen and Chickens Theatre, London
Sunday 11th August 2019 at the Hen and Chickens Theatre, London. ⭐️⭐️⭐️ Perdita Stott’s Ugly looks at the hugely relatable niggles and woes of life as a woman in the modern world of hyper-scrutiny and impossible beauty standards. It’s very strong subject matter but in bursting at the seams with lamentations of self-consciousness and subsequent... Continue Reading →
Review: Where is Ban Ki-Moon? at Camden People’s Theatre
Friday 9th August 2019 at the Camden People’s Theatre, London. ⭐️⭐️⭐️⭐️ Sam Rees’ Where is Ban Ki-Moon? is one of those intriguing productions which manages to transform entirely between beginning and end. The method behind the madness is revealed and the details which alienate suddenly endear and ingratiate; assumptions and reactions to characters are likely... Continue Reading →
Review: Villain, Interrupted at the Etcetera Theatre, London
Friday 9th August 2019 at the Etcetera Theatre, London. ⭐️⭐️⭐️⭐️⭐️ This is a show which does an awful lot within a basic space - there’s ambition and fearlessness in the approach and with uniformly brilliant performances in the four strong cast to boot, this is the kind of work which sells fringe theatre as a... Continue Reading →
Review: Karoshi at the Etcetera Theatre, London
Friday 9th August 2019 at the Etcetera Theatre, London. ⭐️⭐️ Ah, the world of work - what could be more ripe for a dressing down, a cheeky chinwag or a show intelligently reassuring us that our rates of unhappiness have little to do with things we actually have power over? In this show Mel Byron... Continue Reading →