Wednesday 4th March 2020 at Leeds Playhouse (Quarry Theatre). ⭐️⭐️⭐️⭐️ Oliver Twist has once more found his way back to a stage and Amy Leach directs a brand new Dickens adaptation from Bryony Lavery - one that wholly embraces its gritty and disturbing origins. A co-production of Leeds Playhouse and Ramps on the Moon, this... Continue Reading →
Review: The Welkin at the National Theatre
Saturday 22nd February 2020 at the National Theatre, London. ⭐️⭐️⭐️⭐️ The Welkin is a fantastic example of past and present colliding, offering harsh realities, intelligent light relief and dramatic revelations to leave craters in the stage. Educating and entertaining as much as it interrogates and grips, Lucy Kirkwood’s new play presents us with riveting shifting... Continue Reading →
Interview: Ollie Norton-Smith Talks Our Man in Havana & Speed Dial
Spies Like Us are bringing not one but two pieces to the 2020 Vault Festival. One - Our Man in Havana - is a fully fledged production which has already gained significant recognition and the other - Speed Dial - is a work in progress. With both arriving on the Vault scene between 3-7th March... Continue Reading →
Review: Pride and Prejudice* (*sort of) (Touring)
Tuesday 25th February 2020 at Leeds Playhouse (Courtyard). ⭐️⭐️⭐️⭐️⭐️ Not all takes on revered classics are created equal, and the sad truth is that many fall short when it comes to revolutionising or reinvigorating the titans they optimistically take on. On to that precarious theatre scene walks the writer of this piece... With an eyebrow... Continue Reading →
Review: A Monster Calls (Touring)
Tuesday 18th February 2020 at Nottingham Theatre Royal. ⭐️⭐️⭐️⭐️ A Monster Calls has captured many hearts since Patrick Ness’ novel was published in 2011 - a work inspired by an idea from Siobhan Dowd. Telling a tough-to-tackle story through innovative approaches to design and staging, the piece handles the delicate subjects of illness and mortality... Continue Reading →
Review: Riot Act (Touring)
Friday 7th February 2020 at Harrogate Theatre (Studio). ⭐️⭐️⭐️⭐️ Alexis Gregory’s arresting solo show takes the testimonies of three important figures in the LGBTQ+ community and places their words and experiences at the centre of an impressive hour long verbatim piece. None of the three recognised the momentous nature of their experiences at the time,... Continue Reading →
Interview: Esohe Uwadiae Talks All Things Debut Play She Is A Place Called Home
Esohe Uwadiae brings a daring, exploratory new show to this year’s Vault Festival with her debut play She Is A Place Called Home (playing 3rd - 8th March - tickets here). Delving into the universal ground of family, relationships, love and perseverance, her play also seeks to enlighten audiences when it comes to cultures and... Continue Reading →
Review: Kneehigh’s Ubu! (Touring)
Tuesday 4th February 2020 at Leeds Playhouse. ⭐️⭐️⭐️⭐️⭐️ Absurd anarchy abounds in the best possible way in Kneehigh’s latest offering. This 'promenade musical' and 'sing along satire' is a real mix - night club scene, street protest, circus act and avant-garde fearlessness come together to take us on a wild ride of satirical mudslinging. We’re... Continue Reading →
Review: Once (Touring)
Monday 3rd February at The Grand Opera House, York. ⭐️⭐️⭐️⭐️⭐️ It takes all of a few mere minutes for this production to show us exactly why it has snapped up so many awards. From the rousing, foot stomping pre-curtain act delivered as the audience arrive, to the first full-pelt number from our lead, we are... Continue Reading →
Review: Heaven’s Gate (Touring)
Friday 31st January 2020 at Harrogate Theatre (Studio). ⭐️⭐️⭐️⭐️ Four young people arrive into a void dressed as something resembling 80s teens playing at Star Trek. Four camp beds and a side table are all they have to help them make the big leap from one realm to another, and we’re here to witness the... Continue Reading →