Thursday 27th October 2022 at Brockley Jack Studio Theatre, London. ⭐️⭐️⭐️⭐️ Reviewer: Emma Dorfman Alternate-history plays, for the most part, have the tendency to be more alien than not. Unfamiliar, dystopic worlds often mean a lot of work on the audience’s part to “figure out” this unfamiliar territory. With Behind Closed Walls, however, writer Daryl... Continue Reading →
Review: Des Fleurs at The Space, London
Wednesday 26th October 2022 at The Space, London ⭐️⭐️⭐️ Reviewer: Emma Dorfman Wasted time is perhaps the worst feeling of them all. It’s a feeling we all know well, given the events of the past two years. While some moments promoted overdone dramatic tropes that weren’t necessarily my taste, with Des Fleurs, writer Gabrielle Silvestre... Continue Reading →
Review: Nosferatu at the Etcetera Theatre, London
Wednesday 26th October 2022 at Etcetera Theatre, London ⭐️⭐️⭐️ Reviewer: Issy Flower As we near the end of spooky season, London’s fringe theatres are thronged with ghost stories and classic horror adaptations, that either aim to be transformative reimaginings of the classics or a bit of fun—a spoofy, spooky send-up of a well-known text. Theatre... Continue Reading →
Review: Elephant at Bush Theatre, London
Tuesday 25th October 2022 at Bush Theatre, London. ⭐️⭐️⭐️⭐️⭐️ Reviewer: Jonathan Walfisz There’s an elephant in the room throughout Anoushka Lucas’s brilliant new play ‘Elephant’ at the Bush Theatre. It’s not the idiomatic type though, as Lucas’s Lylah notes a white middle class audience might prefer. Instead, Lucas’s elephant is very physically present in the... Continue Reading →
Review: Your Words Become Your World at The Other Palace, London
Sunday 16th October 2022 at The Other Palace, London ⭐️⭐️⭐️⭐️⭐️ Reviewer: Jonathan Walfisz In a packed auditorium, the singer and actor Ellie Nunn takes to a small stage in The Other Place. She sings ‘Who Wouldn’t Wish on a Star’, a short song that feels like the opener of a classic fairytale. It’s a modest... Continue Reading →
Review: The Play with Speeches at the Jack Studio Theatre, London
Thursday 13th October 2022 at at the Jack Studio Theatre, London ⭐️⭐️⭐️ Reviewer: Issy Flower James Woolf’s The Play With Speeches is an unwieldy comic beast: long and unformed, it delivers the laughs but is neither satirical nor emotional enough to transcend its limitations. Anthony (Matthew Parker) and Penny (Gillian King) are auditioning for Anthony’s... Continue Reading →
Review: How to Have a Baby and Not Lose Your Sh*t at King’s Head Theatre, London
Friday 7th October 2022 at King’s Head Theatre, London. ⭐️⭐️⭐️⭐️⭐️ Reviewer: Tina Zucco How to Have a Baby and Not Lose Your Shit is an hour of guilty laughter that entertains from start to finish. The play begins with this late-night-friends-talk moment where Alice (Michelle Luther) introduces us to all her misfortunes of trying for... Continue Reading →
Review: Maybe, Probably at The Old Red Lion Theatre, London
Tuesday 4th October 2022 at The Old Red Lion Theatre, London. ⭐️⭐️ Reviewer: Tina Zucco Maybe, Probably is a play about the doubts and fears of parenting in a modern world. The play begins with Guy (Cory English) and Kate (Kristy Meyer) deciding while at their friends’ house, that although their relationship has gone brilliantly... Continue Reading →
Review: Tender Mercies at Bread and Roses Theatre, London
Saturday October 1st 2022 at Bread & Roses Theatre, London ⭐️⭐️ Reviewer: Emma Dorfman Tender Mercies is a one-woman show that presents a promising turnaround for the true crime genre. It doesn’t exploit or use death as a means for continued audience engagement. In fact, it does quite the opposite. Collette Cullen, the playwright, has... Continue Reading →
Review: The Quality of Mercy at The Courtyard Theatre, London
Wednesday 28th September 2022 at The Courtyard Theatre, London ⭐️⭐️⭐️⭐️ Reviewer: Maygan Forbes With the popularity of the controversial Dahmer Netflix series having social media in a chokehold, it’s fair to say serial killers are popular right now. Or, the media version of serial killers anyway. But these versions are never written by the victims.... Continue Reading →