Death of a Salesman: Tragic Drama at its Best

Saturday 6th July 2019 at the Young Vic, London. ⭐️⭐️⭐️⭐️⭐️ Death of a Saleman is a hard-hitting and melancholy play. It entertains very little joy but hammers home plenty of gripping drama and it’s in this element that the play remains timeless in appeal. In fact, considering the frightening numbers bandied about on the subject... Continue Reading →

Waitress: A Great Cast Offer Plenty of Comedy

Wednesday 29th April 2019 at the Adelphi Theatre, London. ⭐️⭐️⭐️⭐️ Based on Adrienne Shelly’s film with Book by Jessie Nelson and much publicised music and lyrics by Sara Bareilles, Waitress the musical comedy has some heavyweight backing. It’s a thoroughly modern affair bringing the harsher realities of life to the musical stage with pathos and... Continue Reading →

Emilia: Listen to the Roar

Saturday 11th May 2019 at the Vaudeville Theatre, London. ⭐️⭐️⭐️⭐️⭐️ Morgan Lloyd Malcolm’s Emilia has made an indelible mark on many a woman with Emilia if the tears, enthused buzz and unanimous roar of the audience I sat with is anything to go by. Let it be said also that despite a primarily female audience,... Continue Reading →

Let’s Talk Understudies…

I have a gripe. It’s about understudies. No, it’s not about the debate of whether or not we should be less enthusiastic about finding ourselves seeing understudies. Nor is it about whether or not we should openly express disappointment when leads are off. It’s not even about the furore surrounding understudies announcing when they’ll be... Continue Reading →

Company: Fun, Flawless & Utterly Brilliant

Thursday 28th February 2019 at the Gielgud Theatre, London. ⭐️⭐️⭐️⭐️⭐️ Marianne Elliott’s production of Company is pretty damn special - easily the best show I've seen in years. This production, with its finger on the pulse of our times, is a revival of George Furth and Stephen Sondheim’s musical comedy. In it we follow the... Continue Reading →

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