Sunday, 16th March 2025 at Theatre 41, Monkgate ⭐️⭐️⭐️⭐️ Fluff is a pretty clever piece of storytelling in which one actor takes on various roles to gradually unravel the truth about our confused lead. It’s no spoiler to say that the show centres on dementia and Fluff’s relationship to it, but the story told delves... Continue Reading →
Thursday, 13th March 2025 at Leeds Playhouse ⭐️⭐️⭐️⭐️ Staging George Orwell’s iconic Animal Farm is a daring move. It’s such a brilliant piece and its messages about power and exploitation are pretty perfect for staging right now (need I say more?). But almost every character is an animal - how do you stage such a... Continue Reading →
Thursday, 27th February 2025 at Union Theatre, Southwark ⭐️⭐️⭐️ Reviewer: Charlotte Dawes Almost 60 years on from the harrowing mining disaster, Mr Jones explores the unfathomable loss of the forever-altered Welsh village of Aberfan. On the morning of 21 October 1966, the last Friday before half term, a landslide of coal waste crashed into the... Continue Reading →
Thursday, 14th November 2024 at York Theatre Royal (Studio) ⭐️⭐️⭐️ You’ve heard of Dick Turpin, but have you heard of the infamous John Swiift? No? John Godber’s The Highwayman imagines a chancer and a thief in the style of the greats that we do know, and gives us an eventful few hours to watch his... Continue Reading →
Tuesday, 15th October 2024 at Leeds Playhouse ⭐️⭐️⭐️⭐️ The multi award-winning 1927 are back with a brand new show, and it’s another corker. Apparently based on a true story, Please Right Back follows a father - Mr E - who writes to his kids and tells them fantastical stories about where he is and why... Continue Reading →
Friday, 21st June 2024 at Soho Theatre ⭐️⭐️⭐️ Reviewer: Emma Dorfman A postdramatic gig theatre fever dream - in which the audience is invited to witness a fraught navigation through a paradoxical mix of identities - The Dao of Unrepresentative British Chinese Experience is, what I would consider to be, High Art. Heady and intellectual, the production... Continue Reading →
Monday, 13th May 2024 at the Grand Opera House York. ⭐️⭐️⭐️⭐️ Jury duty is a fascinating business. Throw complete strangers in a room and ask them to roll the dice on the fate of another stranger sitting in a cell somewhere. No professional training, just critical thinking and debate. Reginald Rose’s Twelve Angry Men taps... Continue Reading →
Wednesday, 8th May 2024 at New Diorama Theatre, London ⭐️⭐️⭐️⭐️ Reviewer: Emma Dorfman In the midst of the uncontrollable back and forth diss tracks between Drake and Kendrick Lamar, it's difficult to comprehend the world of Between the Lines-- a world of artistic censorship, spurring from deeply-rooted racial antagonism and ethnic stereotypes. In this two act... Continue Reading →
Saturday, 20th April 2024 at Park Theatre, London ⭐️⭐️⭐️⭐️ Reviewer: Emma Dorfman A Barbie-chic aesthetic, brave performance and immersive soundscape work in service of an airtight production, but my only gripe with Algorithms is found right in its branding as a “Bridget Jones for the online generation.” Mind you, this time, it is a bisexual Bridget Jones,... Continue Reading →
Tuesday, 9th April 2024 at Leeds Grand Theatre. ⭐️⭐️⭐️⭐️⭐️ Reviewer: Kirsty M Drop the Dead Donkey, the award-winning 1990s satirical comedy has been reimagined for a 2024 audience in the stage play Drop the Dead Donkey: The Reawakening! Old enough to remember the original show, I went with my Gen Z daughter, unsure whether the play... Continue Reading →
Always Time For Theatre 