Wednesday, 8th May 2024 at New Diorama Theatre, London ⭐️⭐️⭐️⭐️ Reviewer: Emma Dorfman In the midst of the uncontrollable back and forth diss tracks between Drake and Kendrick Lamar, it's difficult to comprehend the world of Between the Lines-- a world of artistic censorship, spurring from deeply-rooted racial antagonism and ethnic stereotypes. In this two act... Continue Reading →
Review: Algorithms at Park Theatre
Saturday, 20th April 2024 at Park Theatre, London ⭐️⭐️⭐️⭐️ Reviewer: Emma Dorfman A Barbie-chic aesthetic, brave performance and immersive soundscape work in service of an airtight production, but my only gripe with Algorithms is found right in its branding as a “Bridget Jones for the online generation.” Mind you, this time, it is a bisexual Bridget Jones,... Continue Reading →
Review: Drop the Dead Donkey – The Reawakening! (Touring)
Tuesday, 9th April 2024 at Leeds Grand Theatre. ⭐️⭐️⭐️⭐️⭐️ Reviewer: Kirsty M Drop the Dead Donkey, the award-winning 1990s satirical comedy has been reimagined for a 2024 audience in the stage play Drop the Dead Donkey: The Reawakening! Old enough to remember the original show, I went with my Gen Z daughter, unsure whether the play... Continue Reading →
Review: Bouncers (Touring)
Friday, 5th April 2024 at York Theatre Royal ⭐️⭐️⭐️ John Godber’s Bouncers remains a show which brings in audiences time and again, with a fresh tour launching fairly regularly over the years. With its sharp observations of club culture, gender politics and dynamics within the meat market that is a night on the town, this... Continue Reading →
Review: The Dream of a Ridiculous Man
Thursday 28th March 2024 at Marlebone Theatre, London. ⭐️⭐️⭐️⭐️ Reviewer: Charlotte Dorfman Prolific writer Fyodor Dostoyevsky’s short story The Dream of a Ridiculous Man was first published in 1877. It isn’t the most light-hearted tale. Dostoevsky’s work famously explores the human condition in the troubled political climate of 19th-century Russia. It is, however, a story that can... Continue Reading →
Interview: Rachel Stockdale talks “Fat Chance”
March 2024 Taking a chance – and having a chat – with actor Rachel Stockdale Rachel Stockdale is bringing her funny and politically powerful show, “Fat Chance”, to Leeds Playhouse next month (April 5-6). The show is a one woman play written and performed by Rachel - a 'fat, benefit class northern actor' - who explores... Continue Reading →
Review: Rabbit at Theatre@41, York
Friday, 1st March 2024 at Theatre 41, York ⭐️⭐️ Foxglove Theatre’s Rabbit has an intriguing premise, promising marketing and sound talent carrying it, but it unfortunately doesn’t really marry these things together well enough. Billed as a dark exploration of childhood attachment and trauma, this show declares an invitation to audiences to “place the inner... Continue Reading →
Review: Wise Children’s Blue Beard (Touring)
Thursday, 29th February 2024 at York Theatre Royal ⭐️⭐️⭐️⭐️⭐️ It’s a rarity in theatre I think, but Wise Children (like Kneehigh before them) can always be trusted to totally cut us off from the outside world for a few hours. The worlds created don’t play by the rules, offering escapism through a characteristic richness of... Continue Reading →
Review: Beyond Caring at Theatre @41 Monkgate
Tuesday, 6th February 2024 at Theatre @41 Monkgate, York. ⭐️⭐️⭐️ Angie Millard directs this production of Alexander Zeldin’s 2014 drama with a keen focus on the sympathetic elements of Zeldin’s characters. Beyond Caring is a pointed, well-observed glimpse at an undervalued workforce, and The York Actor’s Collective do well to stage such a static piece... Continue Reading →
Review: Gwyneth Goes Skiing at the Pleasance, London
Friday, 2nd February 2024 at Pleasance Theatre, London ⭐️⭐️⭐️⭐️⭐️ Reviewer: Emma Dorfman Based on real events- which you can hardly believe actually happened- Awkward Productions’ Gwyneth Goes Skiing is a deliciously campy drag/comedy that, despite the occasional hiccup, will leave any audience member (in the words of Linus Karp’s Gwyneth) “gooped and gagged” for more.... Continue Reading →