Tuesday 24th May 2022 at York Theatre Royal. ⭐️⭐️⭐️ “There is more than one way to kill a revolutionary.” Caroline Bird’s Red Ellen is the latest in a welcome clutch of new work spotlighting marginalised female figures from history. Ellen Wilkinson was undoubtedly a remarkable figure with a flawed personal life and a career spanning... Continue Reading →
Interview: Eleanor Felton, Gaia Cicolani & Naomi Bowman Reflect on ‘Have You Heard’
Earlier this month, Nora Productions’ ‘Have You Heard’ was streamed via the Applecart Arts website, and, with plans to develop the piece into a site-specific and in-person production in the future, Director Eleanor Felton and performers Gaia Cicolani and Naomi Bowman here take the opportunity to reflect on the show to date, offering up a... Continue Reading →
Review: Soviet Zion (Concept Album)
This new musical drama is one of epic proportions, with the concept album confidently putting forward just shy of three hours of original material. Soviet Zion seeks to take audiences into the heart of ‘Siberia's mysterious Yiddish Autonomous Region’, and, with generous musical accompaniment and a firm grasp on the dramatic potential of the premise,... Continue Reading →
Review: Alone in Berlin (Touring)
Friday 6th March 2020 at York Theatre Royal. ⭐️⭐️⭐️ Alone in Berlin comes to the stage as Alistair Beaton’s translation and adaptation of Hans Fallada’s 1947 novel Every Man Dies Alone. Set in wartime Berlin as the Gestapo roam the streets with menace, the story is one which builds on details of the life and... Continue Reading →
Review: Dr Korczak’s Example At Leeds Playhouse
Wednesday 29th January 2020 at Leeds Playhouse. ⭐️⭐️⭐️⭐️ In seeing Leeds Playhouse’s latest offering, Doctor Janusz Korczak and his brilliant work are no longer in the realm of the unknown to me and for that I am so grateful. We now know that the plague of Nazi rule and the creation of places like The... Continue Reading →
Review: There are No Beginnings At Leeds Playhouse
Wednesday 16th October 2019 at Leeds Playhouse. ⭐️⭐️⭐️⭐️ Charley Miles’ There are No Beginnings is pretty stellar new work. Set in a time of apathetic approaches to women’s voices and performed in the era of #MeToo and the rising up of women across every industry and day to day experience, it makes for an incredibly... Continue Reading →
Review: Unsung (Tour)
Thursday 14th March 2019 at Harrogate Theatre (Studio). ⭐️⭐️⭐️ Unsung is an excellent concept: four great women from different historical periods chewing the fat about just why it is that women have been (and still are) so under-appreciated. It’s a new play from Lisa Holdsworth and a strong cast of four fierce females take on... Continue Reading →
Review: Fallen Fruit at York Theatre Royal
Saturday 16th February 2019 at York Theatre Royal. ⭐️⭐️⭐️ Fallen Fruit is a solo show of personal experience, pointed political edge and undeniably glaring relevance. Watching this show against the alarming backdrop of Brexit and Trump’s tactical ‘State of Emergency’ to secure funding for his border wall, there’s a cold chill of foreboding to be... Continue Reading →
Review: Kindertransport at Nottingham Playhouse
Saturday 20th October 2018 at Nottingham Playhouse. ⭐️⭐️⭐️⭐️ This production of Diane Samuels’ Kindertransport marks the 80th anniversary of the Kindertransports which saved the lives of so many German children endangered by their Jewish faith and those raging against it in Nazi Germany. Children were transported to London and taken in by host families; many... Continue Reading →
Review: Searching for the Heart of Leeds at Leeds Playhouse
Friday 22nd June 2018 at Leeds Playhouse (formerly West Yorkshire Playhouse). ⭐️⭐️⭐️⭐️⭐️ Searching for the Heart of Leeds is the final show produced by West Yorkshire Playhouse prior to its major re-development. It marks a crossover from West Yorkshire Playhouse to the Leeds Playhouse rebrand and the production mirrors that sense of departure and arrival;... Continue Reading →