Thursday 26th May 2022 at Leeds Playhouse. ⭐️⭐️⭐️⭐️ Claudia Rankine’s The White Card explores the ways in which white people engage with the stories, experiences and art of Black people. It questions the motivation behind our consumption of such stories and how often white people engage at a privileged arm’s length rather than recognising themselves... Continue Reading →
Review: Red Ellen (Touring)
Tuesday 24th May 2022 at York Theatre Royal. ⭐️⭐️⭐️ “There is more than one way to kill a revolutionary.” Caroline Bird’s Red Ellen is the latest in a welcome clutch of new work spotlighting marginalised female figures from history. Ellen Wilkinson was undoubtedly a remarkable figure with a flawed personal life and a career spanning... Continue Reading →
Review: 100 Paintings at Hope Theatre
Thursday 19th May 2022 at Hope Theatre, London. ⭐️⭐️⭐️⭐️ Reviewer: Maygan Forbes Set in a dystopian future, 100 Paintings tells the story of a young artist and his mother struggling to survive in the crumbling Savoy Hotel. Battling mountains of unpaid hotel bills, the artist (played by Conrad Williamson) has three days to produce one-hundred... Continue Reading →
Review: The Homecoming (Touring)
Monday 16th May 2022 at York Theatre Royal. ⭐️⭐️⭐️⭐️ The truth? I’m still not sure what to think of the bizarre but enthralling piece of theatre that is The Homecoming. I realise of course that this is precisely the reputation preceding Mr Harold Pinter, master of ambiguity and rule-breaking, so I’m happy to sit with... Continue Reading →
Review: Maggie May at Leeds Playhouse
Wednesday 11th May 2022 at Leeds Playhouse (Courtyard Theatre). ⭐️⭐️⭐️⭐️ “Who am I then?” “Who else would I be?” Frances Poet’s Maggie May takes this idea of an endangered sense of identity and builds on it layer over layer until we see the true weight of its significance. In this perceptive and sensitive play, what... Continue Reading →
Review: For the Love of a Primary Caregiver at Brixton House
Thursday 5th May 2022 at Brixton House. ⭐️⭐️⭐️⭐️ Reviewer: Maygan Forbes “Legally blonde, but black”. Rosemary (played by Princess Donough) is your typical type A personality, she has done everything by the book – completed university at a socially acceptable age, kept her rebellious period disciplined and well contained, people pleased and pandered; Rosemary finessed... Continue Reading →
Review: House of Ife at Bush Theatre, London
Wednesday 4th May 2022 at Bush Theatre, London. ⭐️⭐️⭐️⭐️ Reviewer: Maygan Forbes How do you approach the death of a loved one when it’s shrouded in shame? House of Ife thrusts us into the world of a family mourning the loss of son and brother Ife. Each family member deals with the pain differently and... Continue Reading →
Review: I Wanna Be Yours at Leeds Playhouse
Wednesday 4th May 2022 at Leeds Playhouse. ⭐️⭐️⭐️⭐️ In Zia Ahmed’s layered and insightful play, Ella and Haseeb meet by chance and are soon smitten, but their happy bubble of two is quickly compromised by external forces as they try to overcome cultural differences. Eva Scott and Usman Nawaz make a wholly endearing and likeable... Continue Reading →
Review: Fury Theatre’s Abigail
Tuesday 3rd May 2022 at The Space Theatre, London ⭐️⭐️⭐️⭐️ Reviewer: Maygan Forbes What does pure inhibited rage look like when it’s not diluted in a world full of takers? Abigail brings to the stage the true life character of Abigail Williams, one of the first afflicted girls in the Salem Witch Trials. A brave... Continue Reading →
Review: Fatal Attraction (Touring)
Tuesday 3rd May 2022 at the Grand Theatre and Opera House, York. ⭐️⭐️⭐️ Written by James Dearden and based on the iconic 1987 Paramount Pictures movie, this production of Fatal Attraction bravely makes its way on stage with a relatively small cast, a confident set design and some interesting - if at times odd -... Continue Reading →