Review: Jewish Hollywood

Saturday 19th March 2022, Upstairs at the Gatehouse. Reviewer: Jonathan Walfisz ⭐️⭐️⭐️⭐️ When I was a teenager, I was taken to a production of Spamalot, the Monty Python musical. Already a fan of the soundtrack, the decision to alter one of the songs was immediately apparent. Clearly afraid of offending too much, the song "You... Continue Reading →

Review: Here’s What She Said to Me

Thursday 17th March 2022 at York Theatre Royal. ⭐️⭐️⭐️⭐️ In Here’s What She Said to Me, three African women joined together by blood explore the timeless themes of love, family, heritage and legacy. Along the way, as we hear their intertwined stories, we are invited to consider how generational and geographical shifts influence life choices... Continue Reading →

Review: Rocky Horror Show (2021-2022 Tour)

Monday 14th March 2022 at the Grand Opera House, York ⭐️⭐️⭐️⭐️ Richard O’Brien’s whacky musical is back for more - and the audiences are as wildly grateful as ever. If you haven’t yet experienced the Rocky Horror Show on stage rather than screen, let me tell you: it’s an experience. Featuring cult classic songs like... Continue Reading →

Review: Jane Hair (Touring)

Thursday 10th March 2022 at York Theatre Royal (Studio) ⭐️⭐️⭐️ Jane Hair sees the famous Brontë sisters centre stage as three very different modern young women running a salon in Bradford. They bicker and they talk shop between snatches of poetry writing, debating the merits of their respective literary efforts and checking up on their... Continue Reading →

Review: 666 Comments

Saturday 5th March 2022, at Harrogate Theatre (Studio) ⭐️⭐️-⭐️ Aliki Chapple and Ben Rigby perform 666 comments posted in response to a (pretty great) comic about sexism shared online by Gabby Schulz in 2010. The whole shebang may have taken place twelve years ago, but it’s abundantly clear that the notorious “cesspit” of online pontification... Continue Reading →

Interview: Designer Sara Perks Talks “Footloose” (Touring)

March 2022 Following two critically acclaimed tours and huge popular demand, “Footloose The Musical” is back and better than ever. Touring the UK until August, this brand-new production of “Footloose” is designed by Sara Perks who has designed in the region of 250 productions. Sara has been nominated for Broadway World Awards, a Whats On... Continue Reading →

Interview: Bite My Thumb Theatre’s Neil Knipe Talks “Rent”

March 2022 Featuring such classics as “Seasons of Love” and “Take Me or Leave Me”, Jonathan Larson’s “Rent” celebrates the grit of the underdog in ways other musicals dream of. Bite My Thumb Theatre are taking their rendition of “Rent” out on tour across March and April, so I caught up with Artistic Director Neil... Continue Reading →

Review: Macbeth (Leeds Playhouse)

Friday 4th March, 2022, at Leeds Playhouse. ⭐️⭐️⭐️⭐️ In Shakespeare’s epic tragedy, ambition provides the ultimate downfall for its eponymous tragic hero. In this production though, ambition finds rich rewards, and as with her 2019 Hamlet, this take on Macbeth provides a great example of Director Amy Leach’s impressive talent for staging Shakespeare’s work for... Continue Reading →

Review: The Bone Sparrow

Wednesday 2nd March 2022 at York Theatre Royal. ⭐️⭐️⭐️ Zara Fraillon’s novel about a young boy born in an Australian detention centre for refugees has been adapted for the stage by S. Shakthidharan - and it’s an adaptation with a keen sense of its own emotive power. Esther Richardson’s direction of this Pilot Theatre production... Continue Reading →

Interview: Alastair Michael Talks Ransack Theatre’s “Catching Comets”

February 2022 Ransack Theatre’s “Catching Comets” is a “multi-dimensional genre mashup” which sees a lonely heart find love and action hero status all at once. Promising honesty and laughter through an ambitious merging of rom-com and action, the play offers up an exploration of love, vulnerability and the impact of notions of masculinity. “Catching Comets”... Continue Reading →

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