Interview: Katy Owen talks Wise Children’s “Blue Beard”

February 2024 In my circles, Katy Owen is known as a bit of a “golden ticket” - with credits including Wise Children’s Wuthering Heights, Kneehigh’s Ubu! and the Globe Theatre’s A Midsummer Night’s Dream, Owen has consistently delivered performances full of energy and flair - and has definitely stolen a few shows. Her latest role... Continue Reading →

Review: A Song for Ella Grey (Touring)

Wednesday, 22nd February 2024 at York Theatre Royal. ⭐️⭐️⭐️⭐️ There’s something about Greek mythology - and more specifically Orpheus - that continues to grab creatives and audiences alike. Just in recent years, we’ve had Testament’s Orpheus in the Record Shop, Rambert’s Death Trap, Ben Haggarty’s Orpheus Dismembered and Anaïs Mitchell’s Hadestown, and interest in this... Continue Reading →

Interview: writers Laurence Marks and Maurice Gran talk “Cluedo 2 – The Next Chapter”

February 2024 Cluedo 2 - The Next Chapter will soon be arriving in York, when it stops off at York Theatre Royal from 12-16 March as part of a wider tour. Here, Richard Barber chats to BAFTA Award-winning writers Laurence Marks and Maurice Gran.  Cluedo has been a stalwart of family life since the Hasbro... Continue Reading →

Interview: David Almond Zoe Cooper and Esther Richardson talk “A Song for Ella Grey”

February 2024 Pilot Theatre’s latest show, A Song for Ella Grey, is arriving at York Theatre Royal later this month (20-24 February). Here, Natasha Tripney talks to author David Almond, playwright Zoe Cooper and director Esther Richardson about the forthcoming stage production. “People have been telling this story forever,” says author David Almond about the... Continue Reading →

Review: Orpheus Dismembered at York Theatre Royal

Friday, 2nd February 2024 at York Theatre Royal ⭐️⭐️⭐️⭐️ Cronus and Rhea. Aphrodite. Zeus and Hera. Persephone. Dionysus. Eurydice and Orpheus. Aside from the wonderful poetry of the names, the stories of the Greek gods are an assortment of the unexpected, the macabre and the downright bizarre. Orpheus Dismembered takes audiences on a whistle stop... Continue Reading →

Review: Jack and the Beanstalk at York Theatre Royal

Tuesday, 12th December 2023 at York Theatre Royal. ⭐️⭐️⭐️⭐️ Jack and the Beanstalk has landed at York Theatre Royal as this year’s panto offering. It’s a very modernised version with more re-writes than you can shake a stick at, and it’s helmed by a great cast who never waver in energy and enthusiasm. Nina Wadia’s... Continue Reading →

Interview: Nina Wadia talks York Theatre Royal’s Jack and the Beanstalk

December 2023 York Theatre Royal’s panto opens this week, bringing a classic back to the stage with “Jack and the Beanstalk”. Nina Wadia (“EastEnders”, “Citizen Khan”, “Goodness Gracious Me”) is set to play Fairy Sugarsnap and chats to Steve Pratt here about first impressions of panto, her charity work and some career highlights so far…... Continue Reading →

Review: The Merchant of Venice (1936) – Touring

Tuesday, 14th November 2023 at York Theatre Royal. ⭐️⭐️⭐️⭐️⭐️ Mild spoilers ahead… The Merchant of Venice: comedy? Romance? So some say. To me it’s always been a tragedy of powerlessness which wrongfully sidelines its most compelling character, so I am a huge fan of this latest adaptation which restructures and reframes the story to place... Continue Reading →

Interview: Anna Soden talks York Theatre Royal’s “Jack and the Beanstalk”

November 2023 It’s almost Panto season, and this year’s offering from York Theatre Royal (8 December - 7 January) is “Jack and the Beanstalk”. Anna Soden, whose theatre credits include Romeo and Juliet (UK Tour), Sleeping Beauty (Liverpool Everyman) and Return to Elm House (Battersea Arts Centre), is now set to play Dave the cow... Continue Reading →

Review: Noises Off (Touring)

Wednesday, 1st November 2023 at York Theatre Royal. ⭐️⭐️⭐️⭐️ Michael Frayn’s farce is an ode to theatre in all its eccentricities, celebrating those who make it and those who enjoy it from the other side of the curtain. The piece takes shape as three performances from varied angles: an eventful dress rehearsal, the chaotic opening... Continue Reading →

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