Review: Tender Mercies at Bread and Roses Theatre, London

Saturday October 1st 2022 at Bread & Roses Theatre, London ⭐️⭐️ Reviewer: Emma Dorfman Tender Mercies is a one-woman show that presents a promising turnaround for the true crime genre. It doesn’t exploit or use death as a means for continued audience engagement. In fact, it does quite the opposite. Collette Cullen, the playwright, has... Continue Reading →

Review: The Quality of Mercy at The Courtyard Theatre, London

Wednesday 28th September 2022 at The Courtyard Theatre, London ⭐️⭐️⭐️⭐️ Reviewer: Maygan Forbes With the popularity of the controversial Dahmer Netflix series having social media in a chokehold, it’s fair to say serial killers are popular right now. Or, the media version of serial killers anyway. But these versions are never written by the victims.... Continue Reading →

Review: Candlesticks at The White Bear Theatre, London

Thursday 29th September 2022 at The White Bear Theatre, London. ⭐️⭐️⭐️ Reviewer: Issy Flower Premiering just after Rosh Hashanah, Candlesticks poses increasingly topical questions about the relationship between Judaism and Christianity, religion and identity, and the way in which these can be discovered or lost to the detriment of the family. Unfortunately, the variable quality... Continue Reading →

Review: Black is the Color of My Voice (Tour)

Monday 26th September 2022 at the Grand Theatre and Opera House, York. ⭐️⭐️⭐️⭐️ Written and performed by Apphia Campbell, Black is the Color of My Voice reflects on the life of the iconic Nina Simone: distinctive vocalist with a powerful, expressive voice; passionate and gifted pianist; voice of the Civil Rights Movement. Under the pseudonym... Continue Reading →

Review: Clutch at Bush Theatre, London

Wednesday 21st September 2022 at Bush Theatre, London. ⭐️⭐️⭐️ Reviewer: Maygan Forbes When Tyler (played by Charlie Kafflyn) takes up driving lessons for the first time with trusty instructor Max (played by Geoffrey Aymer), not only do his lessons cover the rules of the road, but lessons in life and our duty of responsibility become... Continue Reading →

Review: Gaslight at Harrogate Theatre

Tuesday 20th September 2022 at Harrogate Theatre. ⭐️⭐️⭐️ Patrick Hamilton’s Gaslight is a classic 1930’s stage thriller. Set in 1880, the play follows a classically ill at ease Victorian wife and her classically dismissive Victorian husband as the pair navigate what appears to be her swift mental deterioration. Faye Weerasinghe is a likeable but very... Continue Reading →

Review: The Drought at King’s Head Theatre, London

Tuesday 20th September 2022 at King’s Head Theatre, London. ⭐️⭐️⭐️⭐️ Reviewer: Emma Dorfman It’s hardly a surprise to see The Drought playing at a venue like The King’s Head. Mark Ravenhill, a champion of the piece as well as the theatre’s artistic director, has been in a spooky mood lately with last season’s The Haunting... Continue Reading →

Review: The P Word at Bush Theatre

Tuesday 13th September 2022 at Bush Theatre, London. ⭐️⭐️⭐️⭐️⭐️ Reviewer: Maygan Forbes When Zafar (played by Esh Alladi) flees his hometown and homophobic persecution, he seeks asylum in London. However, the process is draining and prejudiced, and having to “prove” you face execution if you are sent back to your native land gets harder as... Continue Reading →

Review: Abigail’s Party at Harrogate Theatre

Tuesday 13th September 2022 at Harrogate Theatre. ⭐️⭐️⭐️⭐️ Harrogate Theatre’s Rep Company are back with three plays over three weeks and they’re off to a flying start with their take on Abigail’s Party. As a sit-com taking aim at the minefield that is a polite social gathering with strangers, this play is full of golden... Continue Reading →

Review: The Cherry Orchard at The Yard, London

13th September 2022 at The Yard Theatre, London ⭐️⭐️⭐️⭐️ Reviewer: Emma Dorfman Vinay Patel’s daring reimagining of The Cherry Orchard brings a newfound urgency to Anton Chekhov’s original. With the help of Rosie Elnile’s inspired set design, Lewis den Hertog’s dystopic video design, and James Macdonald’s clipped, contained direction assisted by several standout performances, new... Continue Reading →

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