Saturday 8th October 2022 at Wesley Centre, Harrogate. ⭐️⭐️⭐️⭐️⭐️ Nana-Kofi Kufuor’s My Voice Was Heard But It Was Ignored is a heart-stopping, edge-of-your-seat, thoroughly gripping two hander. It is incredibly powerful theatre. The premise is simple: when Reece calls out to his teacher for help while Police push his face into concrete, he expects help... Continue Reading →
Earlier this month, Nora Productions’ ‘Have You Heard’ was streamed via the Applecart Arts website, and, with plans to develop the piece into a site-specific and in-person production in the future, Director Eleanor Felton and performers Gaia Cicolani and Naomi Bowman here take the opportunity to reflect on the show to date, offering up a... Continue Reading →
June 2020 Just in the nick of time, I’m marking the last few hours of Pride Month with a look at some of the best examples of theatre productions celebrating and exploring LGBTQ+ stories, characters, history and culture. From accosting social commentary to joyous sequin-clad drag queens to moving takes on body dysmorphia and transgender... Continue Reading →
Friday 6th March 2020 at York Theatre Royal. ⭐️⭐️⭐️ Alone in Berlin comes to the stage as Alistair Beaton’s translation and adaptation of Hans Fallada’s 1947 novel Every Man Dies Alone. Set in wartime Berlin as the Gestapo roam the streets with menace, the story is one which builds on details of the life and... Continue Reading →
Saturday 22nd February 2020 at the National Theatre, London. ⭐️⭐️⭐️⭐️ The Welkin is a fantastic example of past and present colliding. Lucy Kirkwood’s new play offers harsh realities, intelligent light relief and dramatic revelations to leave craters in the stage. Educating and entertaining as much as it interrogates and grips, we are presented with shifting... Continue Reading →
Thursday 21st November 2019 at Leeds Playhouse. ⭐️⭐️⭐️⭐️ ‘... this is the story of how a woman took revenge through her art to become one of the most successful painters of her generation.’ It’s True, It’s True, It’s True tells a tale of old in a dynamic, brilliantly modern production, balancing uncomfortable truths with comic... Continue Reading →
Wednesday 20th November 2019 at York Theatre Royal. ⭐️⭐️⭐️⭐️ Laura Ann Price’s set design for Hello and Goodbye gives us a crystal clear vision of what’s to come as soon as seats are taken - our first glimpse of Athol Fugard’s world is ramshackle and void. Walls are incomplete with jagged edges. Colour is muted.... Continue Reading →
Tuesday 19th November 2019 at York Theatre Royal. ⭐️⭐️⭐️⭐️ Toast is a coming of age tale with plenty of heart and...food. If the old adage about food being the key to many a heart is true, then this play shows us that process - and not just the positives either. Nigel Slater’s tale of growing... Continue Reading →
Saturday 2nd November 2019 at the National Theatre. ⭐️⭐️⭐️⭐️ Athol Fugard’s Master Harold and the Boys is a pretty excellent creation. It’s fascinating in its approach to plucking the rotten fruit of history and placing it before us while simultaneously providing us with a very recognisable and relatable dynamic. In this instance however, the rather... Continue Reading →
Wednesday 16th October 2019 at Leeds Playhouse. ⭐️⭐️⭐️⭐️ Charley Miles’ There are No Beginnings is pretty stellar new work. Set in a time of apathetic approaches to women’s voices and performed in the era of #MeToo and the rising up of women across every industry and day to day experience, it makes for an incredibly... Continue Reading →
Always Time For Theatre 