Wednesday 4th May 2022 at Leeds Playhouse. ⭐️⭐️⭐️⭐️ In Zia Ahmed’s layered and insightful play, Ella and Haseeb meet by chance and are soon smitten, but their happy bubble of two is quickly compromised by external forces as they try to overcome cultural differences. Eva Scott and Usman Nawaz make a wholly endearing and likeable... Continue Reading →
Tuesday 3rd May 2022 at The Space Theatre, London ⭐️⭐️⭐️⭐️ Reviewer: Maygan Forbes What does pure inhibited rage look like when it’s not diluted in a world full of takers? Abigail brings to the stage the true life character of Abigail Williams, one of the first afflicted girls in the Salem Witch Trials. A brave... Continue Reading →
Thursday 17th March 2022 at York Theatre Royal. ⭐️⭐️⭐️⭐️ In Here’s What She Said to Me, three African women joined together by blood explore the timeless themes of love, family, heritage and legacy. Along the way, as we hear their intertwined stories, we are invited to consider how generational and geographical shifts influence life choices... Continue Reading →
Saturday 5th March 2022, at Harrogate Theatre (Studio) ⭐️⭐️-⭐️ Aliki Chapple and Ben Rigby perform 666 comments posted in response to a (pretty great) comic about sexism shared online by Gabby Schulz in 2010. The whole shebang may have taken place twelve years ago, but it’s abundantly clear that the notorious “cesspit” of online pontification... Continue Reading →
Tuesday 22nd June 2021 at York Theatre Royal. ⭐️⭐️⭐️⭐️ August Strindberg’s original took on the politics of gender and class; Amy Ng’s new adaptation, set in 1940’s Hong Kong, adds colonialism and deep-rooted war scars into the mix. As the daughter of the British Governor, Miss Julie displays the worst flaws associated with a spoiled... Continue Reading →
Earlier this month, Nora Productions’ ‘Have You Heard’ was streamed via the Applecart Arts website, and, with plans to develop the piece into a site-specific and in-person production in the future, Director Eleanor Felton and performers Gaia Cicolani and Naomi Bowman here take the opportunity to reflect on the show to date, offering up a... Continue Reading →
This new musical drama is one of epic proportions, with the concept album confidently putting forward just shy of three hours of original material. Soviet Zion seeks to take audiences into the heart of ‘Siberia's mysterious Yiddish Autonomous Region’, and, with generous musical accompaniment and a firm grasp on the dramatic potential of the premise,... Continue Reading →
In BLACK WOMEN DATING WHITE MEN, Somebody Jones offers insights into the world of love, dating and marriage through the eyes of five Black women interviewed about their experiences of being in long term relationships with white men. Beginning with a specific recent experience and then developing tangential discussion from there, the piece is engaging... Continue Reading →
June 2020 Just in the nick of time, I’m marking the last few hours of Pride Month with a look at some of the best examples of theatre productions celebrating and exploring LGBTQ+ stories, characters, history and culture. From accosting social commentary to joyous sequin-clad drag queens to moving takes on body dysmorphia and transgender... Continue Reading →
Friday 6th March 2020 at York Theatre Royal. ⭐️⭐️⭐️ Alone in Berlin comes to the stage as Alistair Beaton’s translation and adaptation of Hans Fallada’s 1947 novel Every Man Dies Alone. Set in wartime Berlin as the Gestapo roam the streets with menace, the story is one which builds on details of the life and... Continue Reading →
