Saturday 10th October 2020 at Leeds Playhouse (Courtyard Theatre). Leeds Playhouse and Opera North’s collaboration series Connecting Voices is bringing audiences back into the fold of live theatre in actual theatre spaces. The series includes some reflective works on the main productions, offering audiences excerpts of music and words which engage with central messages and... Continue Reading →
Saturday 28th September 2019 at York Theatre Royal. ⭐️⭐️⭐️⭐️⭐️ Arthur Miller’s A View from the Bridge is a brilliant, intensely gripping play and with an impeccable performance like Nicholas Karimi’s at its centre, this is an outstanding production wholly worthy of its source material. A haunted lawyer (Robert Pickavance) narrates, recalling this tale with gravity... Continue Reading →
Tuesday 5th March 2019 at Leeds Playhouse (Pop Up). ⭐️⭐️⭐️⭐️ A female Hamlet? A northern tragedy? Multiple gender switches? Leeds Playhouse’s latest Shakespeare offering is a finely tuned combination of exactly that. As Shakespeare’s longest play, Hamlet is in so many cases numbingly over-long and mercilessly dark, but thankfully, Amy Leach’s direction and approach to... Continue Reading →
Friday 23rd November 2018 at Leeds Playhouse (Pop Up Theatre). ⭐️⭐️⭐️⭐️ Adapting something so extraordinarily brilliant as this Charles Dickens masterpiece is surely a tough gig. A Christmas Carol is so rich with insight and detail that to do it justice in a stage adaptation is to ask an awful lot of the adaptor. Deborah... Continue Reading →
Friday 7th September 2018 at Leeds Playhouse (Pop Up Theatre) ⭐️⭐️⭐️⭐️ Jim Cartwright’s Road marks the first production to play in Leeds Playhouse’s Pop Up Theatre as well as the debut of their brand new Rep Company, directed here by Amy Leach. Going in knowing zilch but for the pitch, I think I was expecting... Continue Reading →
Wednesday 4th October, 2017 at West Yorkshire Playhouse. ⭐️⭐️⭐️⭐️⭐️ Zinnie Harris' (the fall of) The Master Builder is a brilliantly crafted tale of darkness and revelations which is dotted with misleading charm and laughter. Considered by creators to be 'more a response than a version' of Ibsen's original work, this play feels modern and fiery.... Continue Reading →
