Monday 13th September 2021 at the Grant Theatre and Opera House, York. ⭐️⭐️⭐️⭐️ The Woman in Black has returned to stages, and seems to have lost none of its ability to keep audiences on the edge of their seats… In Stephen Mallatratt’s 1989 adaptation of the Susan Hill novel, we are offered a play within... Continue Reading →
Interview: Director Megan Brewer Talks “Fester” at the Camden Fringe
Faust’s Gretchen is heading to the Camden Fringe thanks to an ambitious team and their production of “Fester”. With their sights set on placing a woman’s determination to take back control centre stage, this 55-minute devised physical theatre piece aims to be reflective of both then and now. As the show is set to play... Continue Reading →
Interview: Agustina Dieguez Buccella Talks New Show, “Fragile”
Agustina Dieguez Buccella is heading to the Camden Fringe with a very personal show this year. Here, she talks about her journey into the industry, influences on her work and the intentions of this new play, “Fragile”, which plays the Etcetera Theatre on Saturday 7th August and Saturday 28th August. First of all, how are... Continue Reading →
Review: Piaf (Touring)
Monday 26 July 2021 at Leeds Playhouse. ⭐️⭐️⭐️⭐️ There’s no doubt that Edith Piaf’s life and talent were extraordinary. With such tragedy in her life, it makes perfect sense that such melancholy should have found its way under her skin and into her music, but this take on her life story from Pam Gems certainly... Continue Reading →
Review: Miss Julie (Touring)
Tuesday 22nd June 2021 at York Theatre Royal. ⭐️⭐️⭐️⭐️ August Strindberg’s original took on the politics of gender and class; Amy Ng’s new adaptation, set in 1940’s Hong Kong, adds colonialism and deep-rooted war scars into the mix. As the daughter of the British Governor, Miss Julie displays the worst flaws associated with a spoiled... Continue Reading →
Review: HOW I LEARNED TO SWIM
Saturday June 5th 2021 - streamed via Jermyn Street Theatre. Somebody Jones is back with a new short play, and as with BLACK WOMEN DATING WHITE MEN, what shines through this piece is its reflective tone and observant writing. In HOW I LEARNED TO SWIM, we have a personal story front and centre, but Jones... Continue Reading →
Review: The Greatest Play in the History of the World (Touring)
June 1st, 2021 at York Theatre Royal. ⭐️⭐️⭐️⭐️ A good story told with great charm, that’s what The Greatest Play in the History of the World... is. It’s energised storytelling which refuses to let any lulls form and instead, ploughs onwards with a combination of great comic delivery and a recurring sense of gravity nestling... Continue Reading →
Interview: Julie Hesmondhalgh Talks Returning to the Stage in “The Greatest Play in the History of the World”
Currently back on our screens in the BBC drama “The Pact”, Julie Hesmondhalgh is also returning to the stage this month in Ian Kershaw’s “The Greatest Play in the History of the World”. Here, she talks about her love of theatre, her screen roles and returning this ‘universal love story that celebrates the human race... Continue Reading →
Review: Bored of Knives
Online, 17th February 2021. TW for this production: abuse & violent references. Ever wonder what became of the kids you spent your childhood with? The ones who moved away sharpish or just moved on? Ever wonder what became of the old-before-their-time or the painfully immature types? Whether the worldly wise ended up better off than... Continue Reading →
Review: Leeds Playhouse’s A Christmas Carol
Leeds Playhouse (At Home) Having rehearsed A Christmas Carol with live, socially distanced audiences planned, Leeds Playhouse has been hit with ‘COVID-closure’ once again. Pivoting swiftly, they’ve taken their show online and audiences now have the opportunity to watch Dickens’ classic tale from their sofas. So, what’s Dickensian Leeds like from sofas in front of... Continue Reading →