December 2022 It’s been a busy year at Always Time For Theatre, not only for me, but for the brand new and very brilliant London-based team! So, here’s the round-up, just in time to wave goodbye to 2022 and hello to 2023… Emma Dorfman showed five star love to Gigi Star and The Lost Lending... Continue Reading →
Monday 5th December 2022 at Park Theatre, London ⭐️⭐️⭐️ Reviewer: Issy Flower 1900. On the Flannan Islands, three men are preparing to man the lighthouse at Eilean Mor. By the 26th of December, all three will be lost, having disappeared from their post in mysterious circumstances. Paul Morrissey’s Wickies: The Vanishing Men of Eilean Mor... Continue Reading →
Thursday 24th November 2022 at The Jack Studio Theatre, London. ⭐️⭐️⭐️⭐️⭐️ Reviewer: Tina Zucco Wasted is a fast-paced, dynamic play, debuting MICA Theatre with a bang. A show that entertains and touches the audience from beginning to end. Wasted, written by Kae Tempest and directed by Tony Clarke, sees friends Temi (Seraphina Beh), Danny (Ted... Continue Reading →
Monday 21st November 2022 *Work in progress Reviewer: Emma Dorfman Naomi Westerman’s BATMAN is still a work-in-progress, and its work is still showing. When I arrived on a blistering cold Monday night, there were 4 other gracious, but eager, audience members in the house. You couldn’t help but have this inform the tone for the... Continue Reading →
Tuesday 15th November 2022 at York Grand Theatre and Opera House. ⭐️⭐️⭐️⭐️ The best thing about The Cher Show, aside from the stellar talent at the heart of it, is that it does exactly what it should do: it reminds us all, loud and clear, what an absolute diamond Cher is. Not just for her... Continue Reading →
November 2022 ‘A vital blast of angst, anger and desire’ Former Chumbawamba frontman Dunstan Bruce explains why he’s not ready to be the invisible man just yet. Former Chumbawamba vocalist Dunstan Bruce brings his new one-man play to Leeds Playhouse this month. A rollercoaster of despair, anger, love and, ultimately, hope, it’s a riotous journey... Continue Reading →
Thursday 10th November 2022 at The Old Red Lion Theatre Pub, London. ⭐️⭐️⭐️⭐️ Reviewer: Emma Dorfman Note: some mild spoilers follow. TW: references to depression, self-harm, suicide, and suicidal thoughts/ideation. In recent years, I’ve grown quite sceptical of the two-hander “uni hook up” play. It’s always the same thing: the Gen Z couple that can’t... Continue Reading →
Friday 4th November 2022 at King’s Head Theatre, London ⭐️⭐️⭐️ Reviewer: Jonathan Walfisz Note: contains spoilers and discussion of sex-based trauma. In the near future, Alice wakes up in the Lethe facility with a probe attached to her skull and no memory of how she got there. Though doctors and nurses come and go, they... Continue Reading →
Thursday 27th October 2022 at Brockley Jack Studio Theatre, London. ⭐️⭐️⭐️⭐️ Reviewer: Emma Dorfman Alternate-history plays, for the most part, have the tendency to be more alien than not. Unfamiliar, dystopic worlds often mean a lot of work on the audience’s part to “figure out” this unfamiliar territory. With Behind Closed Walls, however, writer Daryl... Continue Reading →
Saturday 8th October 2022 at Corbett Theatre, London ⭐️⭐️⭐️ Reviewer: Issy Flower Writer Miriam Babooram and director Karina Aviva Benjamin’s adaptation of Shakespeare’s The Rape of Lucrece holds promise, but overreaches at times—this collision of the old and the new tries too hard to make its themes relevant, but in doing so produces some gorgeous... Continue Reading →
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