Review: The Rocky Horror Show (Touring)

Monday 20th July 2026 at the Grand Theatre and Opera House, York ⭐️⭐️⭐️⭐️ Richard O’Brien’s iconic, crowd-pleasing (and teasing, for that matter) manic musical is back in York, dishing up irreverent, bonkers fun.  Christopher Luscombe directs the madness, corralling an energetic cast playing wild characters into various musical numbers to tell the tale of Janet... Continue Reading →

Review: A Brief Case of Crazy

Thursday 16th July 2026 at York Theatre Royal ⭐️⭐️⭐️⭐️⭐️ Skedaddle Theatre is aptly named if this show’s anything to go by; a whimsical, energetic and wholesome hour of entertainment which sees a cast of three deliver a tale of love and rivalry full of humour and warmth. Working with Shoddy Theatre and York Theatre Royal,... Continue Reading →

Review: Venus and Adonis (Touring)

Wednesday 2nd July 2026 at York Theatre Royal  ⭐️⭐️⭐️⭐️ Romeo and Juliet, Macbeth, King Lear - all pretty high profile creations of one Mr William Shakespeare, but this production brings a lesser-known gem to the stage in Venus and Adonis - the “great erotic poem” of the bard which combines cheeky, lyrical comedy with lyrical... Continue Reading →

Review: The Choir of Man (Touring)

Tuesday 30th June 2026 at the Grand Theatre and Opera House, York ⭐️⭐️⭐️⭐️⭐️ From creators Nic Doodson and Andrew Kay comes a music-lover’s haven: The Choir of Man. Set in a classic pub where regular guys meet and shoot the breeze, nine blokes sing their way through a brilliant catalogue of hits - tear-jerkers and... Continue Reading →

Review: Crumbs at York Theatre Royal

Wednesday 20th May 2026 at York Theatre Royal (Studio) ⭐️⭐️ Reviewer: Holly Winter This is an ambitious show from Badapple Theatre’s Kate Bramley who writes and directs, taking aim at influencer culture and the modern grind of seeking audiences and attention. Crumbs is a one woman multi-rolling fest, telling the story of an ex TV-chef... Continue Reading →

Review: A Midsummer Night’s Dream (Touring)

Wednesday 18th February 2026 at Leeds Playhouse ⭐️⭐️ Adaptations of Shakespeare’s work are ten a penny, so offering something “fresh” and from a “different angle” is a popular claim. Headlong prides itself on approaching any text as if it landed today, with no reverence towards “classic” standing holding back artistic vision - a very fine... Continue Reading →

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